Sergei Eisenstein’s own comparison of his style to a "kino-fist" is an apt one; the film assaults the viewer’s sensibilities with forceful melodrama and rhythmic editing. Found inside – Page 60Less than two years earlier, his great revolutionary (in technique and content) film, Battleship Potemkin, had taken the world of cinema by storm, winning accolades for its director not only across Europe, but even in far-off Hollywood. The film Battleship Potemkin was voted as the greatest film of all times 33 years after production (Sinclair 6). Battleship Potemkin, The (1925) **** (out of 4) Eisenstein's masterpiece film tells the 1905 Russian naval mutiny in five parts. Although it has become an orthodoxy in the West to emphasise the repressive conditions under which artists, writers and filmmakers worked in the Soviet Union in the 1930s, it is worth remembering that Eisenstein’s experiences in the West were equally, if not more, frustrating creatively. The senior officers of the Potemkin ship use violence in order to suppress any form of uprising from the sailors. Eisenstein went to Mexico where he went to help his friend film the country. This revolutionary theme is further made evident when the citizens come together to give tribute to Vakulinchuk. It is noted that today the ‘bloodshed in Odessa’ is often cited and mentioned as if it actually did take place. However, the jump-cutting still creates a “known-movement” without the characters actually following through the whole entire movement. One other ship joined the Potemkin in mutiny, but later ran aground. Found inside – Page 1649 By foregrounding the material qualities of objects through cinematic techniques, film has the capacity to reveal ... in his defense of Battleship Potemkin, had referred to as a “conspiratorial relationship between film technique and ... Film Studies, Battleship Potemkin (1925) is a typical illustration of a film that led to become a sign for revolution. The mutineers end up cheering on seeing that they have safely made it through the squadron. The mutineers were incensed by the oppression and squalid conditions in the ship such as eating rotten meat among others. (Smith 31-33) Battleship Potemkin is an examination of the Russian revolt of 1905 onboard the Potemkin. Film Techniques. It is maternal feeling which represents humanity in the scene and masculine military discipline which represents inhumanity. Truth could be boring and so the events had to be dramatized to encourage imitation. This essay will examine the innovative montage techniques of Eisenstein and their meanings with emphasis on The Battleship Potemkin . Found inside – Page 262Film. and. Photography. Throughout the 1920s and 1930s, photographers and filmmakers embraced many of the same ... Eisenstein used the new techniques in such patriotic films as Battleship Potemkin (1925) and October (also known as Ten ... Unfruitful episodes in Hollywood & Mexico left Eisenstein back in the Soviet Union with a nervous breakdown and a damaged reputation. Battleship Potemkin: An Important Contribution to World Cinema, Odessa Steps Scene in "Battleship Potemkin" Film, "The Battleship Potemkin" Episodes Analysis, The Major Events that Led to the Fall of Tsarist Regime in Russia, "Friday Night Lights: A Town, a Team and a Dream" by H. G. Bissinger, ‘On Revolution and the Printed Word’ by Elizabeth Eisenstein, Chinese Culture in Movie “Raise the Red Lantern” by Zhang Yimou.
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