Kodak Ektar is a professional color negative film introduced in 2008, designed for nature, outdoors, fashion, and product photography. Find your perfect Leica or M-mount film camera with the help of this interactive tool & reference data, 65 photographic projects you can do when you’re stuck at home, Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home, How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder. Here are a selection of Kodak Ektar portraits to help give a comparison between the colours of Ektar vs Ektachrome shared above. And when the lab returns your prints or scans, what can you expect? The exposures do not seem to match. Ekatchrome vs Ektar Published 2020-07-08 20:07:16 UTC Story by Marcus Lloyd. The benefit of Ektar over these being the natural circumvention of the inconvenient and costly processing that slide film requires. This less-than meticulous metering is possible in part due to the film’s latitude, boasting over 10 stops of dynamic range.

Additionally, while Ektar is a truly analog experience, it was created in an era in which digital is inarguably king. Ektar is a name that fans of Kodak and vintage cameras may recognize from days long passed. It was replaced by Kodak’s Royal Gold line. Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. ES-8 is a special process for one type of Super 8mm movie film. EKTACHROME has a distinctive look that was the choice for generations of cinematographers. Im interested in more of these film reviews specifically Kodak Gold. Metering Velvia and other slide films is more complicated than Ektar. Ektar’s palette is perhaps most reminiscent of romantic painting; when I see pastoral scenes rendered with this film, with its beautifully subtle graduations of colour and tone, and slight yellow-green cast as opposed to Velvia’s purple, I often feel I am looking at a Turner or Constable. View all photographs taken by EMULSIVE on large format sheet film. Bay State Color on the South Shore. https://youtu.be/azbL1HznTxs, I Am trying my first roll of Ektar 100 through my Canon EF cant wait for it to come out as it was a nice sunny day and i was shooting a medieval battle the colours were spectacular. Back then it was available in iso 25, and the grain just blew our minds! – Photo.net Film and Processing Forum", "The film photographer's best resource for vintage film and cameras", "The ASC – American Cinematographer: Cop vs. Robber", "KODAK EKTACHROME 100D Color Reversal : Film 5285 / 7285 Discontinued", "Kodak's retro Ektachrome film arrives after a long wait", "KODAK EKTACHROME P1600 : Technical Data", "Former Kodak Processing Plant Property : Voluntary Cleanup Program", "KODAK PROCESSING LAB, 925 PAGE MILL RD, PALO ALTO, California (CA) – Company Profile", "Kodak Ektachrome 100 is coming back in 35mm format", "Kodak's Ektachrome Reboot is on Track Despite $46M Loss and 425 Layoffs", "The Return of Kodak Ektachrome Film is Nigh", "Press Release: New EKTACHROME Films to Begin Shipping – Motion Picture Film", "Kodak Plans 120 Ektachrome Coating Trials Next Month", "Kodak Alaris Announces EKTACHROME E100 Availability in 120 and Sheet formats", Kodak Ektaprint Electronic Publishing System, https://en.wikipedia.org/w/index.php?title=Ektachrome&oldid=972992426, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, Before Process AR-5 there was EA-5 for aero film. To achieve the former, I find myself exposing for the foreground in any given scene, or ‘tilting down’ on an average or centre-weighted meter reading. This is also clearly seen in the images that have sky in them. Now. Though naturally an entirely subjective statement, I have to profess that Ektar could be a perfect color film.

The Rochester (R) New York Processing Lab was located at Kodak Park in Rochester, New York. The medium is, in effect, inherently dishonest and even disrespectful of your subject matter. Furthermore, the developing of Kodachrome always required a complex, fickle process requiring an on-site analytical lab and typically required a turnaround of several days to allow for shipping times. It’s a very versatile professional grade film known for its fine grain and poppy saturated color, great for landscapes, portraiture, and pushes well. What’s the difference? It’s Kodak’s Ektar 100. VNF-1 ("Video News Film", as this film was originally introduced for 16mm news gathering), Ektachrome Movie process introduced in 1971 (movies without movie lights). Here are some shots from last weekend.

My favorite color film, I think. This is less correctable in post-processing, but some people enjoy the look. For an inexpensive alternative, consider Lomography 100. It’s a very versatile professional grade film known for its fine grain and poppy saturated color, great for landscapes, portraiture, and pushes well. Take Ektar to your local lab and they’ll have your prints ready in no time, as it uses C-41 process chemicals (the standard stuff used in every lab these days). “It’s very unique and quite different than a black-and-white film or a color negative film. This comparison will, therefore, focus on the technical and creative differences between the films, from a landscape photographer’s perspective. No doubt using 120 will bring the best out of them. My two primary cameras are a Mamiya RB67 Pro SD and a Hasselblad 500CM. So yes, colors from Ektar are truly amazing. Reply. Written by Gregor Sinclair and published on October 16, 2020March 19, 2019. On January 5, 2017, Kodak Alaris announced that Ektachrome would return[24] in both ISO 100 35mm still frame and Super 8 motion picture formats, before the end of the year. Real small shop that’s been doing it since the early days. One roll of Ektar 100 and one roll of Ektachrome 100. It can fall a bit flat in challenging low-light situations, sure, but shooting it in bright light can make some truly world-class images.

If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. Lomo 100 is about $3.30 (Per roll when you buy a 3-pack at around $9). If washed out and faded colors bother you, shoot properly-exposed or over-exposed shots and you’ll make images that are simply perfect. Kodak specifies that the film is workable to one stop under and two stops over, though Ektar can do better than that. Granularity is virtually nonexistent. This film enjoys plenty of light, which it will reward with colour. I am using a flatbed film holder, on an Epson V800 and doing basic auto color and auto tone in Photoshop, any tips on how to ensure the best output? Sorry, your blog cannot share posts by email. Brilliant Post! The Ektachrome process differs significantly from the Agfa Process AP-41, used generally until 1983 to develop films such as Agfachrome CT18 and 50s Professional. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase. When comparing color, both produce beautiful colors – Ektar 100 being more vibrant and Lomo 100 slightly muted. The most obvious example is in the photos of the car. In 1968, Kodak started offering push processing of this film, allowing it to be used at ASA 400.[21]. [28], On June 1st 2019, Kodak Alaris announced a wide coating trial of Ektachrome in 120 format for the end of July. This helps Casual Photophile produce the content we produce. More contrasty than Portra, Ektar creates dark darks and bright brights in a way that’s deep and beautiful. The slower speed, lower reciprocity and harsher casts (flaws to some) can be ways of organically emphasising movement or differences in light and colour unattainable to those using other stocks. For an inexpensive alternative, consider Lomography 100. Sounds amazing. With my return to film I’m enjoying rollfilm Portra 400 for landscapes, but I still have some Velvia in the fridge. Several years before Ektachrome's discontinuation, some of Kodak's consumer E-6 films were rebranded as Elite Chrome. There were also Kodak processing laboratories in other locations, including Chicago, (Illinois), Hollywood, (California-H), Atlanta (Georgia), Findlay (Ohio), Toronto (Canada) and Hemel Hempstead (England). It’s my go to film for everything from the Nikon to the Hasselblad. Below is an overview of how each compares on film grain, color and price. Thanks for a such a great comparison. Those with lighter skin may come away a bit pink, it’s true, but over-exposing can help solve this.

Ektachrome has a distinctive look that became familiar to many readers of National Geographic, which used it extensively for color photographs for decades in settings where Kodachrome was too slow. Ektar loves to bask in the sunshine, so low-light lovers or those averse to being outdoors may find the film to be a bit challenging, and with such a low ISO it’s not a great film for capturing motion. Some we’re by The Darkroom. And the choice is truly vast: we have Portra for the bleak, washed-out look; Kodak T-Max for those happy to commit to monochrome; Fuji Provia or Kodak Ektachrome for those who want more contrast; infrared or colour infrared to turn even the most ordinary scene into something ethereal or psychedelic. Ektachrome, initially developed in the early 1940s, allowed professionals and amateurs alike to process their own films. The upshot of this is that even high-contrast scenes will usually fall within a ten-stop range, and even if highlights are clipped, the roll-off as with any other professional film is natural and pleasant. After shooting my first roll of Ektar I was blown away by the vivid colors. As I am writing I notice that I need to order a fresh box of 120 rolls. The film is known for its extremely fine grain, clean colors, great tones and contrasts. EMULSIVE is bringing the photographic community and industry together, one Community Interview at a time. When Kodak first launched into development of Ektar, the brand set out to create a film that would turn any scene into a vivid feast of color and clarity in the same way that their earlier slide films had done. Before Ektar was around, Kodak’s finest-grain film came in the form of their professional Ektachrome E100G, and Kodak’s literature on Ektar explains that the new film was developed with foresight in regard to the relationship between Ektachrome and Ektar. For example, if your spot reading of a sky highlight returns a suggestion of 1/30s and your reading of a shaded patch of ground suggests 1/2s, 1/8s will give you a safe exposure. Blacks may be too black for some shooters, but with minimal post-processing it’s possible to pull out shadow detail and reign in the sometimes extreme contrast. Excellent choice in film if you like colors to pop. Slides by necessity must have a significantly lower dynamic range than print film, and Velvia 50’s, in particular, is notoriously low (around 5-6 stops). [1] In terms of reciprocity characteristics Ektachrome is stable at shutter speeds between ten seconds and 1/10,000 of a second.[2]. Note: We don’t monitor the comments very often, so please contact us directly if you have questions. Without accounting for reciprocity failure however, I found that even the longest exposure retained little to no shadow detail and a striking red colour cast. It's perkier than Ektachrome E100G or E100GX. I see bold colors with Ektar when pushed +1, but also a few color shifts as well. Copyright © 2014-2020, F Stop Cameras LLC, All Rights Reserved. By this I mean that Velvia requires only two or three central colours to achieve its characteristic boldness – any many more and the effect is muddied and lost.