The Big Money - Power Windows 48. Neil Young later apologized for "Southern Man," calling it "accusatory and condescending" in its portrayal of the American South.

Officially released in 2011; released as a bootleg in 2001; recorded in 1974; Excerpt played at the very end of "Working Man" on the R40 Tour in 2015; Officially released in 2011; released as a bootleg in 2001; recorded in 1974; played by band in 1970; Alludes to finding happiness with an early love, "...the name of our record company, which is. A look at some very similar covers. ", "...the whole idea of the song was response and how people respond to things...a lot of the thrust of that song is how things are transferred, like chain lightning or enthusiasm or energy or love are things that are contagious, and if someone feels them, they are easily transferable to another person,...‘Reflected in another pair of eyes’ is the idea that it's a wonderful thing already,...but if there's someone else there with you to share it, then it multiplies, you know, it becomes exponentially a bigger experience..." ~ Neil Peart. "Steambanger's Ball", Bass: Peter Cardinali; Drums: Blake Manning, Bass: Peter Cardinali; Horns: Colleen Allen; Drums: Blake Manning; From collected poems of, Drums: Matt Cameron; Steel Guitar: Waylon Wall, Drums: Matt Cameron; Cellos: John Friesen, Drums: Matt Cameron; Vocals (backward): Pappy Rosen, In collaboration with multiple hard rock artists. The last tour was a grind, and everybody had been going through some changes. "...a song about love, about the subject of it....demythologizing, debunking." And it's also about the old Chinese proverb: ‘The journey of a thousand miles begins with one step.'" Under the Shadow; III. Here Again - Rush 45. Southern, Played during the band's bar period, approximately 1970–1973, Drummer: John Rutsey; First original song released and, Drummer: John Rutsey; Lyrics: Alex Lifeson, Drummer: John Rutsey; First song with US radio play (. Played by band as early as 1974, prior to Neil Peart being a member, although Peart is the drummer on the studio release. Guitar and producer for 3 Doors Down; released in 2002. It's a very busy bass part, and the vocal part doesn't really relate to it very much. Return of the Prince; Inspired by the fictional character, I.

Distant Early Warning - Grace Under Pressure 47. Inspired by writing found on a building near, Lyrics co-written by Neil Peart and Peter Talbot. And music is an easy one, but it translates to so many other parts of life where it's a given that, for instance, the sense of smell is one of the strongest forces in your memory, where a given smell will suddenly conjure up a whole time of your life, and again, it triggers another scar, it triggers another psychological imprint that was left by a pleasurable thing..." ~ Neil Peart, "I had used ‘Presto’ in an ironic sense, in wishing that I had, "On a tune like ‘Available Light,’ where the bass just provides some simple, low-end support, I'd rather play the keyboards and, "We will pay the price, but we will not count the cost" is a line from the book. Dwarfs on stage with an oversize Stonehenge set? I brought it to Alex and said, ‘Here's the song; I did three tracks of bass, but I just did that to fill in for the guitar,’ and he said, ‘Let's keep it with the three basses.’ So, I said, ‘I love you.'" ~ Neil Peart, "...it's one of the goofiest songs I think we’ve ever written, but I’m quite happy with the result. A Passage To Bangkok - 2112 41. Different Strings - from Permanent Waves 49. Eventually I got it, but it took a lot of practice." ~ Neil Peart, The lyric ‘That's not what I meant at all’ is from the, "I had a major problem with playing ‘Turn the Page’ live on tour. Didacts and Narpets; III.

Contains a "bluesy bar band section" midway through the song.

". International Air Transport Association airport code, Bobby "Boris" Pickett and the Crypt-Kickers, good kind that could be protective and help people, bad kind that was militant and you wanted to kill people, "R40 – 40th Anniversary Collectors Boxset to be released November 11", "Rush to release 40th-anniversary live box set", 'Moving Pictures' track by track: Geddy Lee breaks down Rush's landmark 1981 album, A Nice Morning Drive author recounts cycle ride with Neil Peart, Smoke on the Water Rock Aid Armenia 20th anniversary re-release, Gene Roddenberry's Andromeda (Music from Original Soundtrack), ALEX LIFESON Of RUSH To Guest On JOHN WESLEY’s New Album, Lyric video for Rik Emmett's new song End of the Line featuring Alex Lifeson, Rik Emmett performs Human Race from his upcoming album featuring Alex Lifeson, Alex Lifeson and Marco Minnemann to release limited edition EP featuring new track Lover's Calling, FU MANCHU's 18-Minute Psychedelic Stoner Epic Features RUSH Guitarist Alex Lifeson, Listen to John Mayall's Evil and Here to Stay featuring Alex Lifeson from his upcoming Nobody Told Me album, The Mute Gods reveal video for One Day featuring Alex Lifeson of Rush, Hear Wintersleep’s Soaring Song With Rush’s Geddy Lee, "-High-profile concerts give Glass Hammer option of being choosy", "UNTOLD TALES: Glass Hammer's Tolkienian Prog", The Spirit of Radio: Greatest Hits 1974–1987, https://en.wikipedia.org/w/index.php?title=List_of_songs_recorded_by_Rush&oldid=981041034, Lists of songs recorded by Canadian artists, Articles with unsourced statements from February 2016, Creative Commons Attribution-ShareAlike License, Played by the band as early as September 1970, Played by the band as early as September 1970. Prince is shrouded in mystery, making him an excellent candidate for Fact or Fiction. from the song, "We fiddled with the order of the songs on Vapor Trails right up until the last minute.

First song co-written by Geddy Lee, Alex Lifeson, and Neil Peart, Considered the most pop-like piece on the album, Written on the road where the band got lost somewhere around, A song about coming home after being on the road, I. Officially released in 2011; released as a. "Soliloquy"; VII. Drum solo; Translates as "Drummer" in Dutch. “Grand Finale". ~ Neil Peart. ~ Neil Peart, "I particularly like the lyrics in ‘You Bet Your Life.’ I wove together all the different religions and musical styles and everything. "The digital man character was running in the fast lane, faster than life." "Presentation"; V. "Oracle: The Dream"; VI. ~ Geddy Lee, "This song ended up being an analog-tape mix. Strained friendships, broken couples, warped children. Comprises two movements, focusing on New York City and London, respectively. That doesn't happen very often. ~ Geddy Lee, I. She was inspired by the "ridiculous, unrelatable, unattainable opulence" that runs through such albums as Kanye West and Jay-Z's Watch the Throne and Lana Del Rey's Born To Die. A monthly update on our latest interviews, stories and added songs. Hyperspace; III. "...It's where I’ve looked for a universal of that trade-off between innocence and experience, and (The Big Wheel) certainly addresses that...." ~ Neil Peart, ...‘Ghost of a Chance’ fit right in with my overall theme of randomness and contingency and so on, but at the same time it was a chance for me to write about love in a different way, of saying, ‘Here are all these things that we go through in life and the people we meet, it's all by chance.... ~ Neil Peart, "Some people can't deal with the world as it is, or themselves as they are, and feel powerless to change things—so they get all crazy.

If we grow up with extremist, intolerant views among our parents and others who are influential in our lives, then we can expect our views to reflect that extremism and intolerance. Title inspired by a conversation Geddy Lee had with his Polish mother. "Islands in the Stream" was originally written by The Bee Gees as an R&B song. ‘Marathon’ is a song about individual goals and trying to achieve them. Some album art was at least "inspired" by others. "The Temples of Syrinx"; III. "I think it's part of everyone's experience that a certain record reflects a certain period of their life, and that's a pleasurable scar, you know, there's a mark left on you, a psychological fingerprint left by a very positive experience. ~ Neil Peart, "The song ‘is about the triumph of time and a kind of message to myself, because I think life is too short for all the things that I want to do. I think they should all stop it." "Finding My Way"; II. Manhattan Project - Power Windows 42. "We always loved the lyrics, but this was a tough song to figure out," ~ Alex Lifeson. One of the great "we're all going down" songs is "Ship Of Fools" by World Party, written when Margaret Thatcher was in power in England. ~ Alex Lifeson, "I didn't think I was foolhardy or irresponsible, but a certain level of risk in life seemed worthwhile for the promised return—excitement and treasured experiences—and though I didn't really believe in ‘them angels,’ if I had them, I guessed I kept them pretty busy."

~ Geddy Lee, "...is one of our finest moments as songwriters as far as writing a concise song without being wimpy or syrupy. Drummer: John Rutsey; Previously unreleased early song, featured as bonus material on the 2014 compilation R40. Neil Peart's voice is mixed in low in the background on the lines, "I will be the judge / Give the jury direction. Disk 6 Bonus Disk.

Wilder's hit "Break My Stride" had an unlikely inspiration: a famous record mogul who rejected it. To sleep, perchance to dream...; III. "Discovery"; IV. The members of Rush were Alex Lifeson, Geddy Lee, and Neil Peart. "It was almost like we already knew the song when we wrote it. Those kinds of things are really fun and satisfying...." ~ Neil Peart, "Genius is the fire that lights itself."

You can do a lot, just don't burn yourself out too fast trying to do everything at once. "1983 was a tough year for us.

Find out which Spinal Tap-moments were true for Black Sabbath. Chris and his wife Tina were the rhythm section for Talking Heads when they formed The Tom Tom Club.