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We won’t be able to verify your ticket today, but it’s great to know for the future. Well, luckily, it's still a good film, regardless of what time you're watching it in, and yet, even if the dated aspects were legitimate marks against the film on a general level, they would still remain among the least of the film's problems.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
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Drawn into poisonous office politics, Tom finds he must choose his career or his family. Dated but still effective soap opera from the Sloan Wilson novel.
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He is further tested when he realizes that an affair that took place during the war resulted in the birth of an illegitimate child.
The film may seem mediocre now (it did back then), but it probably speaks volumes about the period, and Bernard Herrmann composed the score.
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Find trailers, reviews, synopsis, awards and cast information for The Man in Grey (1943) - Leslie Arliss on AllMovie - A set of flashbacks to 19th century London… | Rotten (3). | Top Critics (4) Now, this isn't quite a David Lean film, where plenty of things are bigger than they probably should be, as the film, even with its two-and-a-half hour runtime and grand story, doesn't stand as all that much of an epic.
They've spent untold millennia learning how to survive, naked and without weapons, in fearsome places like the Arctic Circle in the dead of winter.
| Rating: 3/5, March 27, 2005 High toned soaper that does interesting stuff, especially involving post-traumatic stress syndrome. It is an archetypal tale of a young man who purchases eternal youth at the expense of his soul and a romantic exposition of Wilde’s own Aestheticism. Tom Rath (Gregory Peck) is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria (Marisa Pavan), which resulted in an illegitimate son he's never seen.
Sign up here. This 10-digit number is your confirmation number. Don't have an account? "The Grey" is an unrelenting demonstration that wolves have no opinion. Granted, "To Kill a Mockingbird" came out quite a bit after this film, but either way, the fact of the matter is Peck never got to escape that dreaded gray flannel. Ultimately the film enunciates the moral and emotional importance of honesty and its consequences. As if that's not bad enough, one of his only lines was, "This man's dead, Captain", so they may as well have just had the line be, "He's dead, Jim", and there's not even a person in the cast named Jim, which is weird, considering that everyone and their grandmothers were named James back then. | Rating: 3.5/5 Based on a novel by Eleanor Smith, it combines elements from the 'woman's picture' and historical fiction into a new kind of film with a distinctive identity, one that was generally reviled by the critics but absolutely adored by British cinema audiences. I think the term"gray flannel suit" refer to corporate America where materialism was the order of the day.
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An overly long movie that really doesn't have enough plot to sustain its running time, but is largely rescued by Peck's excellent performance, and the supporting cast. Your AMC Ticket Confirmation# can be found in your order confirmation email. Gregory Peck accepts a new job with increased pay but added stress after much nagging from his wife who has big plans for their future. |, April 4, 2006 The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker. In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look. Drawn into poisonous office politics, Tom finds he must choose his career or his family. Just leave us a message here and we will work on getting you verified.
The overall treatment of the characters and the subject keeps everything from parody.
Coming Soon. All content on this page is protected by copyright. Tom Rath (Gregory Peck) is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria (Marisa Pavan), which resulted in an illegitimate son he's never seen.