To either read or join in on our discussions visit our forums. I’m surprised Trumpsters even watch Criterion films.
Itâs a rough film to view, no matter your views on such subject matter, and Franjuâs presentation, which is very matter-of-fact, simply catching the action without judgment, doesnât make it any less difficult.
The real horror in Eyes Without a Face is that Génessier is not motivated by love at all, but by his intolerable guilt at having ruined her. Not at all for the squeamish.
1. There is a general hollowness to the track, though, which does give it a flat quality.
Which spells death, of course. It comes with a high recommendation. 3. A more conventional horror film might have allowed these men to destroy the monster and rescue the girl. An interview with actress Edith Scob found on this disc (exclusive to this Blu-ray) mentions Franjuâs fascination with dissection and thatâs certainly found here. It was nice while it lasted.
Criterion then includes a shy-of 6-minute excerpt from a 1985 French television episode called Le fantastique, which presents Franju talking to someone in a mad scientist outfit (on a mad scientist set) about his approach to horror, feeling good horror is more natural and doesnât intend to be scary to begin with. Short but a great inclusion that Iâm glad Criterion went to the trouble of getting. But having meddled, the scientist must be punished, and punished he will be.It is a mark of Franju’s diabolically inspired storytelling that he should place a family at the center of the horror. Lol this subreddit has seen Salo they can handle Trumpkins.
Eyes Without a Face delivers a stable, exceedingly filmic look, natural looking and clean.
Its darkness, both literal and moral, never lets up. r/criterion: The Criterion Collection is a continuing series of important classic and contemporary films on home video. He also brings up some aspects of Eyes Without a Face, even touching on concerns about censorship in various countries. 5 Stars, 1 product rating 1. Christiane will come to play moral antagonist to her monstrous father, a good woman pitted against an evil man. With his deeply political but unclassifiable debut feature, Med Hondo set out to establish a transformational presence for global African cinema and to accelerate the emergence of a new Africa. She is, of course, one of the innocents and will escape the doctor, no thanks to the bumbling policemen. She touches the rearview mirror and we see that in the back of the car slumps a figure in a large overcoat, hat pulled low, limp and floppy as a rag doll.
Getting interviews with the two they talk about their writing process and how they first started working together. It is about the father’s tyranny over his women.
Her function is to lure young women to the clinic outside Paris where he performs his ghastly surgical experiments.The imagery and language of the clinic are a staple of the mad-doctor story, and Franju milks it for all its inherently sinister potential. Its core motif is the mask, here an uncanny thing of smooth, hard plastic worn by a young woman to conceal a face destroyed in an auto accident. You'll also find in-depth discussions on world cinema.
The woman is his assistant, Louise, who represents his success: she has emerged intact from his surgery. Accompanying this film are excerpts from two interviews with director Georges Franju that totals about 3-minutes.
4 Stars, 0 product ratings 0. Georges Franju’s Eyes Without a Face is for me the most chilling expression in cinema of our ancient preoccupation with the nature of identity. Entertaining. The detectives trying to crack the case of the missing girls victimized by the doctor will completely misread the evidence in front of them, as will Jacques, the fiancé of Christiane, a young doctor who works in Génessier’s clinic. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. LMAO imagine thinking films aren’t political in nature.
It is this feeling of hardness, of impenetrability, of the unnatural and inorganic—the synthetic—that will characterize all that is associated with Dr. Génessier and his grisly project. Its core motif is the mask, here an uncanny thing of smooth, hard plastic worn by a young woman to conceal a face destroyed in an auto accident.
In the first scene, we see a beautiful woman with a pale, waxy face driving a car through the darkest of nights. The disc then concludes with two theatrical trailers: the original French one, and the American one, which presented the film in a double-bill. But his cosmetic project is a travesty of the impulse to heal, and Christiane, despite her disfigurement, remains in possession of what her father has lost, if he ever had it—a spiritual faculty, an idea of the good: a soul. 3 Stars, 0 product ratings 0. With humor and verve, Bahram Beyzaie’s Iranian New Wave classic captures a moment in Iranian history when dissent against the authoritarian shah was beginning to percolate below the surface. Georges Franjuâs Eyes Without a Face gets a Blu-ray upgrade from Criterion, who present the film with a new 1080p/24hz high-definition transfer.
Good value. Franju is consistently skeptical toward those—and not just the scientist—who put their faith in reason alone. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. The DVD looked pretty good, but this transfer, which is obviously a newer one, offers a significant improvement over its predecessor. 3. New to this Blu-ray is a 9-minute interview with actress Edith Scob, who played Christiane in the film. The first big feature is Franjuâs first film, Blood of the Beasts, a short 22-minute documentary on the Paris slaughterhouses.
Criterion gives Georges Franjuâs horror masterpiece a worthwhile Blu-ray upgrade, delivering a noticeably better image.
In one gloriously horrible scene, the doctor first marks the outline of the face, makes his bloody cut, then secures the incision with a forest of clamps—at which point comes, literally, the face-lift.This is Franju’s heart of darkness.
At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughterâs disfigured countenanceâat a horrifying price. Both long shots and close-ups manage to provide a staggering amount of detail. But this must be one of the weirdest meals in the history of cinema, because each of the beautiful women has had her face dramatically altered by Génessier—in Christiane’s case, entirely replaced.
The film builds to this glimpse of monstrosity, this perversion of Western science—or perhaps the logical outcome of that science, a meddling in mysteries that ought to be the preserve of God alone. 1 Stars, 0 product ratings 0. and it's more fucked up. Blood of the Beasts, Georges Franju’s 1949 documentary about the slaughterhouses of Paris Archival interviews with Georges Franju on the horror genre, cinema, and the making of Blood of the Beasts New interview with actor Edith Scob Excerpts from Les grands-pères du crime, a 1985 documentary about Eyes Without a Face writers Pierre Boileau and Thomas Narcejac Trailers A … A young woman is sent to the clinic as a kind of prey to trap the doctor, and while in bandages and surgical clamps awaiting her “face-lift,” she resembles nothing so much as an oddly distressed nun. There are numerous examples of medical jargon masking extremely nasty realities—the “heterograft,” for example, which translates as the attaching onto the patient of another’s skin. Georges Franju’s Eyes Without a Face is for me the most chilling expression in cinema of our ancient preoccupation with the nature of identity. It is a nice place full of nice people. Chat with us here …
Leave this subreddit alone. Not this one.A large part of the charm of the movie is the control of tone throughout. Her name is Christiane; her father, Dr. Génessier, an eminent Paris surgeon, is obsessively engaged in an attempt to reconstruct that face. 1 product rating.
Trump should play Harkonnen in the upcoming Dune film.
More horrifying by far, however, are the vivid instances when we see Génessier at work.
Georges Franju’s Eyes Without a Face gets a Blu-ray upgrade from Criterion, who present the film with a new 1080p/24hz high-definition transfer. Eyes Without a Face (French: Les Yeux sans visage) is a 1960 horror film film co-written and directed by Georges Franju and starring Pierre Brasseur and Alida Valli, based on the novel of the same name by Jean Redon.Brasseur's character is a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in an auto crash. The film does also receive a new high-definition presentation that looks natural and filmic, delivering a sharp picture that maybe delivers the rather horrifying details a little too well. [The Criterion Film Club] / Fri Oct 23, 2020 09:50:54 PM, Borat Subsequent Moviefilm (Jason Woliner, 2020), [Criterion Rumors and News] / Fri Oct 23, 2020 09:43:44 PM, [General Film Discussion] / Fri Oct 23, 2020 08:50:30 PM, [Boutique Labels] / Fri Oct 23, 2020 06:42:45 PM, This site is not affiliated with The Criterion Collection. The film is again framed 1.66:1 widescreen and is delivered on a dual-layer disc. When at last she stops the car and steps out, her coat gleams against the blackness of the night, for it is made of a hard, shiny, reflective material. The print still presents a few minor flaws such as a few specs scattered about and some faint if noticeable scratches or tram lines, but does improve quite a bit over the DVD in this area. Press question mark to learn the rest of the keyboard shortcuts. “Spots of pigmentation,” then “small subcutaneous nodules.” A few days later, “necrosis of the graft tissue”—then “ulceration”—and, finally, removal of the dead graft tissue and resumption of the hated mask. There is a wonderful dinner-table scene, an exquisite instance of what might be called the “domestic perverse.” The doctor sits with two women, Louise—a kind of surrogate wife and mother—and Christiane, the three eating together as a family. Criterionâs Blu-ray upgrade carries over all features, even offering improvements and new material. But there is also the subtlest flavoring of black humor, which lends a certain curious lightness of touch to the unrelenting negativity of the vision. What is remarkable about the film is not its thematic originality, for this is a familiar tale, but rather its imagery, its atmosphere, and the perfect rightness of the story’s narrative elements—the face and the mask, the graft and the wound, later on, the dogs and the doves. For the doctor was responsible—he was driving the car when the accident that disfigured Christiane occurred, and he always drove, she says, “like a lunatic.” So what we have is a lunatic father impelled to perform ever more desperate acts of violence to make his child good once more. Vote for Umberto's white rock pearl shampoo. the black and white photo is OFFICIAL. 2. 4. Thereâs a bit of distortion present in the filmâs delightful yet odd score but itâs otherwise clear, and voices are easy to here and sound decent enough.
5.0 average based on 1 product rating. But the image of the nun anesthetized, festooned with clamps, feels mischievous even as it plays into the religious symbolism of the film, and a small wicked chuckle can be heard within the swelling cacophony of its macabre denouement.This is a story about the potential for evil of science in general and of medicine in particular, and not coincidentally it is also about patriarchy.