Gloria Sandak-Lewin's poetry contains many Jewish themes. The Verdict (1911), written by T.J. Holzberg in collaboration with I.K. ." The novel tells the story of a Rhodesian girl, Tambu, who works feverishly to overcome the odds and earn an education. Her own memoir is titled Reverberations (1996). Malan's talents as a crime reporter and magazine features writer come to the fore, with some of the keenest observations about that period in the country's past. The Con…, South Africa's Truth and Reconciliation Commission, South African Society for Psychical Research, South American Indian Religions: An Overview, South American Indian Religions: History of Study, South American Indian Religions: Mythic Themes, South American Indians: Indians of the Andes in the Pre-Inca Period, South American Indians: Indians of the Central and Eastern Amazon, South American Indians: Indians of the Colonial Andes, South American Indians: Indians of the Gran Chaco, South American Indians: Indians of the Modern Andes, South American Indians: Indians of the Northwest Amazon, South American Knifefishes and Electric Eels: Gymnotiformes, South American Wars of Independence (Nineteenth Century), South and Southeast Asians of the United States, https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/south-african-literature, https://www.encyclopedia.com/humanities/encyclopedias-almanacs-transcripts-and-maps/south-africanism, Nyembezi, C(yril) L(incoln) S(ibusiso) 1919-2000.
South African Yiddish verse continued to achieve international distinction in the work of David Wolpe, whose substantial modernist anthology, A Wolkn un a Weg ("A Cloud and a Way," 1978), was awarded the Itzik Manger Prize for Yiddish Literature in Jerusalem in 1983. Shirli Gilbert wrote on South African music and music in the Holocaust. To impart the values of a community, was the main purpose of storytelling as it drew people together and strengthened bonds. Ronald Segal (The Tokolosh), Rhona Stern (Cactus Land), Phyllis Altman (The Law of the Vultures), Bertha Goudvis (Little Eden), Maurice Flior (Heralds of the East Wind), Myrna Blumberg (White Madam), Sylvester Stein (Second Class Taxi), Olga Levinson (Call Me Master), Rose Moss (The Family Reunion), Rose Zwi (Another Year in Africa), Shirley Eskapa (The Secret Keeper), Dennis Hirson (The House Next Door to Africa), Lynne Freed (Home Ground), Eddie Lurie (The Beginning Is Endless), Gillian Slovo (Ties of Blood), Maja Kriel (Rings in a Tree), David Cohen (People Who Have Stolen from Me), Tony Eprile (The Persistence of Memory), Patricia Schonstein (The Alchemist), Mona Berman (Email from a Jewish Mother), Johnny Steinberg (Midlands), Diane Awerbuck (Gardening at Night), and Ken Barris (Summer Grammar).

Like “My Traitor’s Heart”, “Kaffir Boy” is an autobiography published in 1986 which equally tells a classic tale of life in Apartheid South Africa. The interesting and captivating tale of how Michael escaped from prison alongside the rest of his deeds are there for you to discover in the book. The famous Itumeleng Khune is well known for his great taste for luxury cars and expensive lifestyle since he came into limelight. Generally, in later Afrikaans literature, Jews seldom appear. He was the inspiration behind Cape Town's Cockpit Theater, and until his death, divided his time as a director between South Africa and Israel. If they don't get you in touch with the spirit of the place, not much else will. All Rights Reserved. Lewis Sowden in The Crooked Bluegum (1955) and Gerald Gordon (1909–1998) in Let the Day Perish (1952) deal with social and racial themes.

Fairytalez.com is the world's largest collection of fairy tales, fables and folktales. Bernard Friedman wrote a biography of J.C. Smuts. In 1949, Pacific Press and its ancillary, Kayor Publishers, were founded by Nathan Berger and Joseph Borwein. Between 1884 and 1923, he published overseas eight five-act epic dramas on mainly historical themes. The story continues by showing how corruption passes from the officials and elite to the lower classed citizens of Ghana. Oral storytelling in the culture is a pathway to pride, to identity and to groundedness in a country that fears losing its roots to Western influence.